1967 also saw the creation of Challenge for Change, a community media project that would develop the use of film and video as a tool for initiating social change. The Canadian Film Development Corporation would become responsible for promoting the development of the film industry. With the creation of the Canadian Film Development Corporation (now known as Telefilm Canada) in 1967, the mandate for the National Film Board was refined. In 1966, the French language Animation Studio was created, led by René Jodoin. A revision of the National Film Act in 1950 removed any direct government intervention into the operation and administration of the NFB. ĭuring the ’40s and early ’50s, the NFB employed ‘travelling projectionists’ who toured the country, bringing films and public discussions to rural communities. In 1964, a separate French production branch was finally established, with Bobet as one of its four initial executive producers. In 1956, the NFB’s headquarters was relocated from Ottawa to Montreal, improving the NFB’s reputation in French Canada and making the NFB more attractive to French-speaking filmmakers. During that period, commissioner Albert Trueman, sensitive to how the Quiet Revolution was beginning to transform Quebec society, brought in Pierre Juneau as the NFB’s “French Advisor.” Juneau recommended the creation of a French production branch to enable francophone filmmakers to work and create in their own language. And in NFB annual reports of the time, French films were listed under “foreign languages.” Screenwriter Jacques Bobet, hired in 1947, worked to strengthen the French Unit and retain French talent, and was appointed producer of French versions in 1951. There was a French Unit which was responsible for versioning films into French but it was headed by an Anglophone. Based in Ottawa, 90% of its staff were English and the few French Canadians in production worked with English crews. Įarly in its history, the NFB was a primarily English-speaking institution. The success of Canada Carries On led to the creation of The World in Action, which was more geared to international audiences.
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In 1940, with Canada at war, the NFB launched its Canada Carries On series of morale boosting theatrical shorts.
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In part, it was founded to create propaganda in support of the Second World War. The results of Grierson’s report were included in the National Film Act of 1939, which led to the establishment of the National Film Commission, which was subsequently renamed the National Film Board. Up to that date, the Canadian Government Motion Picture Bureau, established in 1918, had been the major Canadian film producer. In 1938, the Government of Canada invited John Grierson, a British documentary film-maker, to study the state of the government’s film production. As a result of cuts imposed by 2012 Canadian federal budget, by 2015 the NFB’s public funding will be reduced by $6.7 million, to $60.3 million. These revenues are from print sales, film production services, rentals, and royalties, and total up to $10 million yearly the NFB lists this as Respendable Revenues in its financial statements. It is overseen by the Board of Trustees Secretariat and Legal Affairs.įunding is derived primarily from government of Canada transfer payments, and also from its own revenue streams.
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The organization has a hierarchical structure headed by a Board of Trustees, which is chaired by the Government Film Commissioner and NFB Chairperson.
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The NFB also offers support programs for independent filmmakers: in English, via the Filmmaker Assistance Program (FAP) and in French through its Aide du cinéma indépendant – Canada (ACIC) program. Outside Quebec, French language productions are also made in Moncton (Studio Acadie). In June 2011, the NFB appointed a producer to work with film and digital media makers across Saskatchewan, to be based in Regina. As of October 2009, the Atlantic Centre also operates an office in St. English-language production occurs at centres in Toronto (Ontario Centre), Vancouver (Pacific & Yukon Centre, located in the Woodward’s Building), Edmonton (North West Centre), Winnipeg (Prairie Centre), and Halifax (Atlantic Centre). In addition to the English and French-language studios in its Montreal HQ, there are centres throughout Canada. The ground-floor Mediatheque was closed in April 2012.